'Joan Miro and Dutch Interior Essay\r'

'Joan Miro created a surrealist photo, a style t chapeau expresses the subconscious using resourcefulness in the undetermined matter, Dutch Interior fork overs a man vie the guitar at a table. in that respect are animals and a women sitting around him listen to the beautiful sound. Miro used a commodious array of colors especi all in ally green and colour to emphasize a clever day. He uses complementary colors to allow the colors to clash and overhear occasions stand forth and be unified from the abatement of the canvas. Joan Miro created this painting by observing a nonher(prenominal) painting called The Lute Player. He variegated, distorted, simplified and abstract it by drawing only what he melodic theme was primary(prenominal) of the object and using the colors he thought best represented the figure. Miro feels that it is not important to show each little situation because doing that gives your imagination no room to imagine. To him abstracting his images is t he best demeanor for him to express his inner feelings. In this painting the Dutch Interior he feels the most important thing is the fact that a man is playing a guitar and so he paints that.\r\nHe does not view the painting was painted to show the mans velvet hat so he leaves that out. Miro puts a happy tippy feeling into his work by painting well-off but brilliant colors onto his canvas. He puts soft whites into his painting to emphasize that warm pique of joy. Miro uses the color white also to show important areas of the canvas. Miro also uses some principles of practice to try to give this feeling. He uses movement to leave alone your eye around starting from the man playing the guitar and ending in the lower left baseball mitt corner at the place where the dog is sitting. The rudimentary snap is the man playing the guitar because he is what the full-length painting is basically about. One other important principle of design he uses is asymmetrical balance. thither ar e the same amount of things happening on both sides of the musician. On the left you withstand a dog starring up at him and earshot to the comforting music while on the advanced side the cat is doing the same thing.\r\nAlthough the central focus is the musician things are happening through out the canvas. Such as out the window thither are people sailing boats and inside in that respect are many different animals listening. I encounter the feeling of a happy day and all is going well and there is nice soft music in the background. The day is calm and nix can go wrong, everything is just perfect. This painting was painted for the one reason to make people warm and happy inside and to dictate people every where that detail is not needed in a painting as long as you have your imagination leading you through it. Miro wants to tell you that there is more to art than recognizable subject matter. You don’t have to know what your look at.\r\n'