Womens issues in the 1800´s Essay Example for Free

Womens issues in the 1800s EssayIn comparing the three authors and the literary works of women authors, Kate Chopin (1850 -1904), The Awakening, Charlotte Perkins Gilmans (1860-1935), The Yellow Wallpaper, and Edith Whartons (1862-1937) Souls Belated, many common friendly issues related to women are brought to light, and though subtly pointed out are an outcry against the conventions of the time. In these three stories, which were compose between 1899 and 1913, the era was a time in which it seems, women had finally awaken to realize their tender subjugation and were becoming rebellious in their pursuit of exemption from the male- prevail societal convention in which they existed. They commenced viewing their favorable stature as unjustly inferior, and they realized that these conventions placed deterrents on their intellectual and in-person growth, and on their freedom to function as an independent person. all(a) three of these women authors have by their literary works, voiced their laborious unfavorable feelings about the patriarchal society in which they lived.These women authors have served as an eye-opener for readers, both men and women alike, in the past, and hopefully still in the present. (There are still cultures in the world today, where women are treated as unfairly as women were treated in prior centuries).These women authors have impacted a male dominated society into reflecting on of the unfairness imposed upon women. Through their writings, each of these women authors who existed during that masochistic Victorian era, risked criticism and retribution. each(prenominal) author ignored convention and proceeded to spare about womens issues. They took the gamble and suffered the consequences, but each one stood by what is just and reasonable. They were able to portray women as human beings, rather than as totally self-sacrificing and consecrate women, as was expected of women in that era.Todays women are privileged that there were dar ing women such as Kate Chopin, Edith Wharton, and Charlotte Perkins Gilman. It is besides better off(predicate) for us all, that from the late 1800s to the early disperse of the 1900s therewere women, rich enough to have the sumptuosity of leisure that enab take them write about what they felt were very important issues for women.In Kate Chopins The Awakening and Edith Whartons Souls Belated the deuce main characters admirably brave, daring, and courageous women. They were women whose souls were belatedly awakened and seemed to have gone through metamorphoses. These two women undercoat that they no longer desired to live by the imposed social moral conventions of the time. They dared to act upon their dear and emotions by opting and daring to live in sin, in order to exercise their own independence and personal freedom in other words, they refused to live with the public.Though Kate Chopins character, Edna, is portrayed as less than a disposed mother, in the end, she gives up her life for her children sake. She commits suicide so that in the future, her children would not be the objects of malicious societal gossip because of her infidelities. In Gilmans Yellow Wallpaper the main characters (name not mentioned) motherly instincts, are nearly non-existent, since it is implied that part of her mental illness has been triggered by post-partum syndrome. This lack of motherly instinct is depicted when she makes one of the few references to her child, It is fortunate Mary is so good to the baby, such a dear baby, and yet, I cannot be with him, it makes me so nervous (664).In each of the stories the women took dissimilar paths. The paths taken, though unintentional and unconventional, by Chopin and Gilmans heroines have very serious consequences, hunt down them to their desired freedom and out of their intolerable lifes responsibilities. Chopins character welcomes death through drowning. Gilmans character welcomes insanity. Whartons character initially choos es to risk losing the man she loves, rather than go back to a life plague by social conventions and expectations. Not one of the main characters chooses to go back to their original situation. In SoulsBelated, it is implied that Lydia decides to return to Gannet and possibly link up him, in order to restart living a new life with the man she loves, though she detests societies conventions.All characters were in unhappy marriages where the distribution of love was one-sided. All their marriages seem to have been marriages of convenience, as was the custom of the day, in the first place for the upper classes, and all women felt trapped. Chopins character, Edna, married Leonce Pontellier because he was financially stable, and because she wanted to go against her familys wishes. .Add to the violent showdown of her father and her sister Margaret to her marriage to a catholic and we need seek no further motives which led her to accept Monsieur Pontellier for her husband.In the Yellow W allpaper, the main character speaks of a one-sided love when she reflects It is so unverbalized to talk to John about my case, because he is so wise, and because he loves me so (663). The author Souls Belated in giving the reader a pointer as to why Lydia acted on her emotions writes .. from the first, regarded her marriage as a full canceling of her claims upon life (674).In all the stories, the authors commonly depict propriety in marriage, a yearning for freedom from convention, loveless marriages, wealth and unconventional women. Chopin and Gilman imply that the mental illnesses experienced by their characters are delinquent mainly, to male oppression. Chopin and Wharton write about infidelity, passion and love and Chopin and Gilman write about women working for pay. All authors write about women who feel trapped by tradition and convention and all display abhorrence toward the social expectations set for women.BibliographyThe Norton Anthology of American Literature. 5th Ed. W.W. Norton Co. NY. 1998.Chopin, Kate. The Awakening 672-690. Charlotte Gilman Perkins. The Yellow Wallpaper 657-670. Wharton, Edith. Souls Belated 467-670.