'An Analysis of William Shakespeare’s Midsummer Night’s Dream Essay\r'

'Renaissance humanists confided that if you want to pattern a moral society, you must attempt with the facts of human nature. Basically, this means that their beliefs are grow on what can be seen, touched, and heard. Shakespeare’s persist A Mid sum totalmer nighttime’s Dream crossed the boundaries of humanism and Shakespeare actually put in the constitute elements which humanists believe did non exist.\r\nFor humanists, â€Å"Nature itself constitutes the sum total of reality, that matter and non learning ability is the foundation-stuff of the universe, and that supernatural entities simply do non exist.” (Lamont 145). This follows naturally that mass then were with little, if at all, imaginative, and creative tendency. They were not keen to elements in literature such as fairies, or other supernatural organisms; elements which are dumbfound in Shakespeare’s play A summer solstice dark’s Dream. In the century preceding Shakespeare, â₠¬Å"humanist” plays were lots considered dull and moralistic, as they were often in didactic form.\r\nAlso, another attitude of humanism towards the universe â€Å" alike(p) its judgment as to the nature and destiny of man, is grounded on cheering scientific fact.” (Lamont 145). They believed that man was the cream of the operate of God’s creation, and that the earth and everything that revolves round it are the center of the universe. Again, it’s not difficult to imagine that consequently, this ism not totally affects the scientific aspect of the era, scarce in any case the coating, including literature and other arts. concourse also took a belief in the interconnectedness of things, for example a medico administering a medicine according to the localise of the planets.\r\nBut A Midsummer Night’s Dream, written sometime in the late 1500s seemed to have crossed boundaries. send-off of all, there are supernatural elements in the play whic h sort of went against the do-gooder philosophy about supernatural entities not existing. Actually, the play is nothing short of supernatural. Not only do the mortals in the play associated with fairies, exclusively the plot is manipulated by Puck, a hobgoblin. nooky, on the other hand symbolizes a culture that survived from the Middle Ages until the Elizabethan times wherein â€Å" obtain donkeys dressed up as bishops or dogs with Hosts in their teeth would appear in court masques.” (Bloom 73).\r\n â€Å"Spirits and fairies cannot be represented, they cannot flat be painted, â€they can only be believed.” (Bloom 87). Apparently, this is not in line with Humanist philosophy, and this is what Shakespeare’s play brought flock to believe also after the play’s publication. A Midsummer Night’s Dream is â€Å"Shakespeare’s first degree of experiment with comic form.” (Bloom 7). Compared to his tragedies, this comedy not only was a trailblazer for rediscovery of clean literature, it also â€Å"knits together a itemize of several(predicate) historical times and places, literary traditions, character types, and modes of thought.” (Bloom 7).\r\nHumanists also believed that â€Å"whatever he does man is a living union of body and personality, an inter-functioning integrityness of mental, emotional and material qualities.” (Lamont 274). Apparently, in the play, when Puck put the magical love juice in the look of Demetrius, Lysander, and Titania, this premise is not evident anymore, as they were not in their â€Å"right minds” when pursue different love interests.\r\nHowever, while Shakespeare challenged humanitarianism through his play, he also showed his influences through the characters, the plot and the sub-plot.\r\nItalian Renaissance was an case which influenced Shakespeare in a lot of his works, plainly Italian Renaissance differs slightly from the side of meat Renaissance, aside from the fact that it preceded the English Renaissance. Italian Renaissance was centered more on visual arts but sonnets also bloomed through Petrarch and Boccaccio. By the time Italian Renaissance was coming to an end and English Renaissance was blooming, writers were then rediscovering the authorised literatures from the Italian Renaissance and picked up the sonnets. Shakespeare apparently was one of those writers.\r\nShakespeare’s influences with regard to some elements in the play come from Italian artists like the poet Ovid and the author Apulieus, which show Shakespeare’s rediscovery of the classical literature coming from the Italian Renaissance. For example, the stratum of Pyramus and Thisbe is told in Ovid’s Metamorphoses and the transformation of Bottom into an ass is descended from Apuleius’ The Golden Ass. Elements such as these show how vast Shakespeare’s influences are, and how observational the play has become compared to hi s previous tragedies in terms of the characters and the plot.\r\n I can hypothecate that through Shakespeare’s play A Midsummer Night’s Dream, people looked at themselves differently, and comprehended more the witness of the arts. Before Shakespeare, people seemed stuck-up and were conformed to being moralized by their literature. While it was necessary at that time, change is really inevitable. And through Shakespeare’s experimentation in the said comedy, different discoveries and rediscoveries enabled people to try out overbold things.\r\nThroughout the Renaissance, there was a pregnant change in the way people looked at the interconnectedness of things. Writers and thinkers questioned the connections, while retaining a sense of their beauty as symbols. A major change which this era experienced is that people interpreted the correspondences of things from literal to symbolic, and appreciated more the beauty of the symbols.\r\nWorks Cited:\r\nBl oom, Harold, ed. William Shakespeare’s a Midsummer Night’s Dream. New York: Chelsea House, 1987\r\nLamont, Corliss. Humanism as a Philosophy. New York: Philosophical Library, 1949.\r\nâ€Å"A Midsummer Night’s Dream.” Wikipedia, The Free Encyclopedia.\r\n'